Art Market

T is for Tapestry

In the late Middle Ages, tapestry production, whose origins lay in the East and classical antiquity, was one of the most prominent crafts in Western Europe. Numerous widely-scattered workshops in France already foreshadowed the royal factories of the future.

Retrogaming: A Booming Market

Eight years after starting up in France, the retrogaming (also known as classic gaming) market is consolidating and setting record sales. The tenth art is gradually carving out a niche in the auction room.

Amin Jaffer: Curator of the Al Thani Collection

The delights of the fabulous collection of Sheikh Hamad Bin Abdullah Al Thani, cousin of the Emir of Qatar, are now on display for the next 20 years in the Hôtel de la Marine, the former French Royal Garde-meuble. Its chief curator looks back at its origins and explains why it ended up in Paris.

A is for Azulejos

Unlike what might be commonly thought, azulejos take their name not from their traditional blue color but from the Arabic al zulaydj, meaning a small enameled polished stone intended to copy ancient mosaics. Portugal gave them a unique artistic and monumental grandeur.

M is for Mother-of-Pearl

In the sixth century, its iridescent nuances were already enlivening the mosaics at Ravenna’s Basilica of Saint Apollonia. Fragile and long inimitable, mother-of-pearl, also known as nacre, was used as a precious material to decorate cabinets of curiosities, jewelry and even garments.

Monumental Sculptures from the Lalanne Couple

While the Château de Versailles hosts “Les Lalanne à Trianon,” an exhibition presented in partnership with the Galerie Mitterand, running through October 10, the Osenat auction house is unveiling three monumental works by the sculptors on Sunday, October 3, in Fontainebleau.

The Auction Market’s Phoney Crisis

Despite the pandemic, the auction market has not collapsed, and the first quarter of 2021 even broke records: a euphoria now confirmed by the traditional May sales in New York. And a revolution is probably taking shape at the same time…

Supports/Surfaces: Painting Above All

In 1970, when the contemporary art scene was obsessed with the “death of painting”, a dozen of young artists declared their love for the venerable medium and formed the group Supports/Surfaces. Stripped from the non-essential, painting was to be rejuvenated, not sentenced to death.