Abstract Art at the Maeght Foundation in Saint-Paul-de-Vence
The Maeght Foundation is hosting about a hundred abstract artworks from the Fondation Gandur pour l’Art collection, from Martin Barré to Claude Viallat and many rediscoveries.
The Maeght Foundation is hosting about a hundred abstract artworks from the Fondation Gandur pour l’Art collection, from Martin Barré to Claude Viallat and many rediscoveries.
The Louis Vuitton Foundation kept its promise that the exhibition celebrating the centenary of the birth of Simon Hantaï (1922-2008) would be an event.
Claude-Siméon Passemant’s astronomical clock has been entirely taken apart, studied and restored for an autumn exhibition at Versailles featuring Louis XV’s interests and passions.
The Hôtel Drouot welcomes visitors to the new installment of its regular collegial exhibition, known as the “Œuvres Choisies” (“Selected Works”). The exhibition presents some of the most exciting works to come up for sale in the upcoming months.
The director of the Department of Islamic Arts at the Musée du Louvre reveals what is at stake with 18 exhibitions deployed throughout France to show the public all the beauties of this civilization.
In the late Middle Ages, tapestry production, whose origins lay in the East and classical antiquity, was one of the most prominent crafts in Western Europe. Numerous widely-scattered workshops in France already foreshadowed the royal factories of the future.
The Galerie Mitterrand in Paris bills its new show as an echo of the “Niki de Saint Phalle in the 1960’s” exhibition at the Menil Collection in Houston, Texas.
The opening of the Drouot season is marked by “Oeuvres Choisies”, on view from September 21 – 23 in Room 9, a particularly sumptuous selection of aristocratic finery as well as some choice memorabilia from French celebrities past and present.
Curating the groundbreaking “elles@centrepompidou” in 2009-11, featuring works by women artists from the Centre Pompidou collection, Camille Morineau, the President of AWARE (Archives of Women Artists, Research and Exhibitions), continues to tirelessly advocate for women artists and enlighten their forgotten histories.
Composed, like a huge bouquet of about a hundred paintings, drawings, prints and photographs by Impressionist and Nabi artists, the show is a refreshing, inspiring evocation rather than a discourse on the construction of gardens.
At the Fondation Vincent van Gogh Arles, the American artist Laura Owens has created an immersive environment that showcases seven works by Vincent van Gogh made at the end of his life in and around Arles.
The new director of the Rencontres Internationales de la Photo d’Arles is focusing his first edition on highly topical subjects including questions of identity, with the accent on a multifaceted view of photography as a medium.
This large private collection of marbles from antiquity amassed during the 19th century includes outstanding pieces, some of which were reproduced by Raphael.
The Musée de Grenoble in France has brought together all the Italian artist’s works owned by the Magnani-Rocca Foundation, near Parma. Delicate paintings in muted tones that move the viewer through their mysterious silence.
Around 30 works attributed to some of the 16th century’s most illustrious artists immerse us in the Renaissance, from Normandy to Sicily, France’s primary art centers and the Italian peninsula.
Curated by Eleanor Nairne, “Jean Dubuffet: Brutal Beauty” harmoniously compliments the site of the Barbican Gallery, in London. Brutalist architecture and Dubuffet’s Art Brut go hand in hand, creating a world of materiality and delight for the audience to enjoy.
The exhibition “Americans in Spain: Painting and Travel, 1820-1920” examines the widespread and, until now, under-appreciated influence of Spanish art and culture on American painting.
You never know what awaits you in an “Œuvres Choisies” exhibition, the collectively organized shows of objects that most excite dealers in their upcoming sales. What immediately stands out in the current sampling, on view through March 4th, is its concentration of animal imagery.
The Audemars Piguet museum-workshop unveils its heritage collection in a new avant-garde building, boasting an image halfway between tradition and innovation, and a certain boldness.
Their sublime, dystopian visions of the future were extreme and unbuildable, but they influenced a whole generation of architects. Fifty-five years after the founding of the radical Italian architecture collective Superstudio, a new Brussels exhibition pays homage to the power of their provocative images.
The year’s first installment of “Drouot Déco”, a regular exhibition co-organized by auction house experts, is on view in Room 2 through January 25th. It assembles an eclectic lot of accessibly priced furniture and art offered in upcoming sales.