In their 30-year career, Gabriela and Mathieu Sismann have become the go-to dealers in the antique sculpture market. In June, they are taking part in BRAFA, and, for the first time, in TEFAF Maastricht.
According to Artprice, demand is high for works by German artists in general and Günther Förg (1952-2013) in particular.
A keen promoter of the wide-ranging Arts & Crafts movement, the son of designer François-Joseph Graf is poised to celebrate the 10th anniversary of his gallery with a new venue in Paris.
The Franco-German research program that focuses on the art market networks in Vichy France was established under the direction of Inès Rotermund-Reynard and Elisabeth Futwängler. It is now available online at the INHA website.
A champion of abstract art, Florent Paumelle has been running the Oniris gallery in Rennes, which was founded by his mother when he was a teenager, since 2012.
The Galerie Mitterrand in Paris bills its new show as an echo of the “Niki de Saint Phalle in the 1960’s” exhibition at the Menil Collection in Houston, Texas.
Leading Goodman Gallery’s first US venture in East Hampton, New York, Denis Gardarin gives us an insight into his rich career, passion for working with artists, and creating gender parity in the commercial art world.
François Pannier has endeavored to build a Himalayan art market since the 1970s, when it was non-existent. He has just made two donations, one to a museum in Cannes, the other to Confluences in Lyon.
Around 30 works attributed to some of the 16th century’s most illustrious artists immerse us in the Renaissance, from Normandy to Sicily, France’s primary art centers and the Italian peninsula.
We talked to Brett Gorvy, the co-founder of Lévy Gorvy, former Christie’s Chairman, and Instagram sensation, about the changing horizons of today’s art market, the gallery’s forward-thinking approach with pop-ups, artists and new technologies, and his own collecting habits.
This spring, Emmanuel Perrotin will open his ninth space in the heart of Paris’s Golden Triangle focusing on the purchase and resale of works on the secondary market. Contemporary art galleries are increasingly taking on this double role.
